How many types of veena

There are two wide circular resonators underneath the pipeline, made of hollow gourds. On the tube has nearly 24 brass-fitted raised wooden frets, linking 3 chikari strings and 4 main strings. The Vichitra Veena is a string instrument that is using primarily in Hindustani music.

This also came to the spotlight, at the start of the 20th century. The instrument, however, is ancient, and therefore hard to create musical notes. Playing a fast rhythm song on the Vichitra Veena is difficult, then. Ekanda Veena is one of the types of Veena, which is made up of a single piece of wood. The unique hollow fretboard is known as the dandi and includes 24 frets and yali are carved from a single log of wood. There are some types of veena. You can buy all types of veena and the string instruments online From Buyveenai.

An enchanting instrument like the Sarangi dates back around to BC but is a considerable Veena type instrument. It is very popular in Hindustani music, particularly in the 17th century. It was to indicate that it can produce a variety of tonal colours and emotional gradation. Similarly to a violin, the Sarangi requires a bow.

Likewise to the Rudra Veena this instrument is depicted as the mother of stringed instruments. The Sarangi differs from three to four main metal strings, despite having an equal number of major tuning pegs. Attractively decorated with ivory, the sympathetic strings connect through holes in small fish motifs, creating a fancy pattern into the wooden body of the instrument. With this neat design, the bottom surface is handy for when the musician needs to adjust the strings to their liking.

Concerning its sound, the tone is quite warm, rich and sometimes nostalgic. Being heavily versatile, the instrument can be employed in numerous music forms of the 21st century.

The Saraswati Veena instrument name comes from the Hindu goddess Saraswati. Inspired by the Hindu faith, Saraswati is either holding or playing the instrument.

This particular Veena has a rich history, going back to around BC. The distinctive sound of the Saraswati Veena is both gracious and warm, whilst being loud and metallic. The idea of melodic and rhythmic nuances of Indian raga music can be played on this instrument. It is an appealing yet tricky melody instrument to adjust to other music genres. Its structure is around four feet in length, consisting of huge hollow resonators carved out of jack wood.

Furthermore, its hollow neck is capped with twenty-four brass frets and a tuning box. Consisting of metal main and drone strings, the metal material is vital for giving the instrument a bold, vibrant sound. Sarod Saradiya Veena is a prominent string musical instrument. It is common in the genre of Hindustani music and popular in Northern India, Pakistan, and Bangladesh.

A classical Sarod stands at around cm 39 inches long and holds a firm wooden body with a skin belly. However, a modern Sarod has main melodic strings. Likewise to other Veena instruments, it contains sympathetic and drone strings to emphasise its true sound. Furthermore, the sound comes from plucking. With a plectrum held in the right hand — the musician strums, whilst the fingernails of the left-hand press the strings.

Being one of the most iconic concert instruments in Hindustani music, it is usually accompanied by other popular instruments. These include the tabla drums and tambura drone lute. The Sitar stands as a large, slim Indian lute with adjustable frets, played with a wire pick.

Teak and Mahogany wooden Sitars make the modern quality instruments of the 21st century. The instrument is very popular amongst countries such as Northern India, Pakistan, and Bangladesh. Regarding its history, the Sitar blossomed in the 16th and 17th centuries.

Through becoming well-known it is famous in 21st century South Asian music. Additionally, becoming dominant in Hindustani music, it is beneficial as a solo instrument along with the tambura and the tabla.

Jawari implies that the sound of the Sitar is loud, creates buzz and is extremely musical. Throughout the centuries, the instrument has produced some classical Sitar players.

The veena has been considered the perfect instrument to demonstrate different gamakas, and thus, the veena, to some extent, influenced the style of vocal music. The south has produced a number of great vainikas for the last three centuries.

Over the generations three main styles of veena playing emerged, i. Tanjavur style, Mysore style and Andhra style. Different postures are adopted for playing different kinds of veena, but generally two of them are common, i.

Tanjauri veena consists of a peg box, a fingerboard and a resonator. When all the three portions are scooped out of the same log of wood, it is called ekanda veena. But sometimes they are separately made and joined. The wood normally used is jack wood. The scooped wooden structure is covered with a wooden board. The resonator called kudam is deep and carved like a vessel; the hollowed fingerboard is long and curved from the bottom and ends in the peg box, which is fashioned into an animal's face, mostly of a dragon called vyali.

The bridge, the most important part of the veena, is a complex unit. It stands centrally on the soundboard of the resonator. It is made of wood and is wide, slightly sloping in the direction of the strings, on the upper portion which is covered with a thin plate of brass.

Four main playing strings pass through this bridge. Besides this main bridge, an additional bridge is attached to the main bridge stands.